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What had got my attention on that scene was not only the classical beauty of Charlotte Rampling but the way this final sequence was resembling another ending scene of a film I’d watched on theater when it was released in 1997: Bille August‘s “Smilla’s Sense of Snow”.

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Both movies deal with revenge and the seek of justice and have a promising start but as things go on the stories dive deeper on ridiculous ideas and solutions – an avenger whale, able to plan and implement the assassination of the ones who destroyed its “family” and the a woman trying to find the responsible for killing a boy for the sake of protecting information about a…well, I won’t reveal too much since you people may wish to watch the movies – I will only say that the it does not fit on what you’ve spent more than an hour watching.
Though the movies are not good their endings, as I said, are strangely beautiful: both of them have an idyllic feature, trully poetic and contemplative. Yes, the ends are not the same, they are considerably different but there is a similarity in its style – even the inverse panoramic shooting (“Orca’s” shooting underneath water and ice and “Smilla’s” above it) intensifies this feeling. Probably it is just a coincidence but I would not be surprised if one day Bille August tell us that he was inspired by the other movie’s end and decided to pay some kind of homage to it – the only good idea on the whole movie.